Ezra Pound

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) ek American kavi aur critic rahaa, aur early modernist poetry movement ke ek khaas jan, aur collaborator Fascist Italy aur t Salò Republic, World War II me, rahaa. Uske kaam me hae Ripostes (1912), Hugh Selwyn Mauberley (1920), aur The Cantos (c. 1915–1962).^[1]

Pound ke yogdaan, kavita me early 20th century me suruu bhais rahaa, jisme uske role Imagism develop kare me rahaa, ek movement jon precision anur economy of language ke stress kare hae. Jab uu London me kaam karat rahaa, foreign editor of dher American literary magazines, ke ruup me, uu contemporaries jaise H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, aur James Joyce ke kaam ke paae ke publish karis rahaa. Uu 1914 serialization of Joyce's A Portrait of the Artist as a Young Man ke responsible rahaa, 1915 publication Eliot ke "The Love Song of J. Alfred Prufrock", aur 1918 of Joyce's Ulysses ke serialisation. Hemingway 1932 me likhis rahaa ki , for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".^{[lower-alpha 1]}

References

↑ Stoicheff (1995), 6; Beach (2003), 32. The first cantos were published in 1917, and the final complete canto was published in 1962.
↑ Hemingway (2006), 24–25.

Ii article ek chhota panna hae. Aap iske lamba karke Wikipedia ke madat kare saktaa hae.

{{BD}1885|1972|Pound, Ezra} [[Vibhag:United States ke kavi.

↑ On 21 November 1932 Hemingway wrote ("Statement on Ezra Pound", The Cantos of Ezra Pound: Some Testimonies, New York: Farrar & Rinehart, 1933): "Any poet born in this century or in the last ten years of the preceding century who can honestly say that he has not been influenced by or learned greatly from the work of Ezra Pound deserves to be pitied rather than rebuked. It is as if a prose writer born in that time should not have learned from or been influenced by James Joyce or that a traveller should pass through a great blizzard and not have felt its cold or a sandstorm and not have felt the sand and the wind. The best of Pound's writing—and it is in the CANTOS—will last as long as there is any literature."^[2]

Cite error: <ref> tags exist for a group named "lower-alpha", but no corresponding <references group="lower-alpha"/> tag was found.

[1] Stoicheff (1995), 6; Beach (2003), 32. The first cantos were published in 1917, and the final complete canto was published in 1962.

[Hemingway2006pp24–25-2] Hemingway (2006), 24–25.

[Hemingway1932-3] On 21 November 1932 Hemingway wrote ("Statement on Ezra Pound", The Cantos of Ezra Pound: Some Testimonies, New York: Farrar & Rinehart, 1933): "Any poet born in this century or in the last ten years of the preceding century who can honestly say that he has not been influenced by or learned greatly from the work of Ezra Pound deserves to be pitied rather than rebuked. It is as if a prose writer born in that time should not have learned from or been influenced by James Joyce or that a traveller should pass through a great blizzard and not have felt its cold or a sandstorm and not have felt the sand and the wind. The best of Pound's writing—and it is in the CANTOS—will last as long as there is any literature."^[2]

[1]

[lower-alpha 1]

[2]