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Nicky - It's always an interesting question because difficult can be different form different points of view.

Enya - I think every song as a difficult stage. We work on it over 3 years, because we work on a song, set it aside, and them come back to it later and that's when you can see what you want to change. And that's how we get through the difficulties of a song. But I feel they all went through stages of difficult because looking so long on them, rewrites.

Nicky - There was a lot of work on Dark Sky Island (the song), a lot, but sometimes you have a piece that's calling out for more and more harmony and input. Sometimes that just defines a piece, and because the stars are involved, the heavens are involved - that feeling, the multi-vocals and all that, winds itself into the song.

Roma - I didn't find that one so difficult from a lyrical point of view.

Nicky - I think once you've got the melody, we're over the worst part, or the hardest part I should say. At least we think we are.

Enya - To me, that's where the time factor is so important because you're able to oversee the songs when you come to a difficult part.


Yes, we did a recording on the rebox because it was set up next to the piano, but that's all there really is. It was a piano instrumental melody.

Nicky - It was an upright piano.

Roma - We still have that little piano!


Nicky - A break!

Enya - Projects I can't talk about really, but one of them is an idea Nicky has about doing an orchestral arrangement of a selection of the songs over all of the 8 albums and record it in Abbey Road and to work with an orchestra and a choir.

Nicky - And you!

Enya - Of course me! But it would be very interesting. And Abbey Road because Nicky is such a Beatles fan. It was actually in Abbey Road where we did Lord of the Rings.


I thought it was fantastic. It just worked - bizarrely worked with Claude Van Damme doing that fantastic stretch. It was just fun.


No, because the exterior of the castle is of an 1840 era, but the interior is very much a home.


Well thank you.

I would encourage you to stick with what you believe in regardless of anyone else's opinion unless it's someone you've been working with for a very long time. And just continue to work on what you are drawn to.


I play the saxophone, suppose the accordion, the tin whistle, and I play cello - a little bit of cello.


Absolutely. With a 6 year gap, working on this album for 3 years after taking 3 years completely away from the studio. I had no idea how the album would be received, who the listeners were - it was a wonderful reaction to the album.