Exploring Morrison & Quitely's "Watchmen"-esque "Pax Americana"
Tim Callahan digs deep into the infinite storytelling used in Grant Morrison and Frank Quitely's "Watchmen" influenced "Multiversity" issue.

Tim Callahan digs deep into the infinite storytelling used in Grant Morrison and Frank Quitely's "Watchmen" influenced "Multiversity" issue.
In the final WHEN WORDS COLLIDE, special guest Chad Nevett interviews Tim about his career writing about comics and why he decided to step away
Which comics make Tim's TEN BEST OF 2013 list? Find out this week in the penultimate WHEN WORDS COLLIDE!
Tim looks back at work by Derek Ballard, Ulises Farinas, Paul Pope, Chris Roberson, Grant Morrison, Charles Forsman as he counts down the BEST COMICS OF 2013.
Tim conducts his final interview with Joe Casey about the superhero sci-fi spectacle of "Gødland" and what it all means, with exclusive Tom Scioli art.
Tim rereads Frank Miller's often-overlooked "Elektra Lives Again" graphic novel and wonders why it seems to be forgotten by fans.
Frank Miller failed to conquer Hollywood in 1990, but he did collaborate with some of the greatest talents in the comics industry.
Tim reads three newish comics and one old, unfamiliar classic. Wolverine, pseudo-literary ennui, hipster detectives & crazy dreamscapes battle for his attention!
Tim concludes his two-part history of Power Man and Iron Fist in time for you to be interested in the characters again thanks to Marvel's Netflix deal.
Tim recounts the history of the exploitation-tastic "Power Man and Iron Fist" with the help of some behind-the-scenes info from writer Jo Duffy.
This week, Tim watches a Chris Claremont documentary, reads a couple of Ben Marra and Geoff Johns comics and reflects on the life and times of Jim Henson.
Tim jumps back to 1935 and reflects on Alex Raymond, "Flash Gordon" and "Jungle Jim" and IDW's oversized collection of those classic comics.
Check out Timothy Callahan's comprehensive history of Marvelman/Miracleman in preparation for the Marvel revival of the character in January.
Tim looks at Paul Pope's long-anticipated "Battling Boy" and finds a fantastic superhero comic exploding to the surface. And it's a great-looking surface.
Tim looks ahead at what's coming from the world of collected editions and graphic novels and finds only a few things worth getting excited about: The Top 5 things, specifically.
Tim rereads a collected edition of Ann Nocenti and Art Adams's "Longshot" miniseries and finds the big bang that would help kick off Image Comics...and a story that's not quite there.
Tim chats with soon-to-be-superstar artist Aaron Kuder about what it's like to write and draw comics and how his upcoming "Superman: Parasite" Villains Month one-shot came to be. Plus, exclusive art!
Tim reads "Forever Evil" #1 and "Infinity" #2 and has some deep thoughts: When is the Deathstorm and Friends comic coming out? What does Black Bolt sound like? And can we just ignore Ex Nihilo?
This week, Tim provides the straight truth as he responds to reader questions about the best comics of the Silver Age, the importance of art criticism, and the legacy of Nu-Marvel."
Tim reconsiders "Spaceman," the mostly-ignored sci-fi miniseries from the "100 Bullets" team of Brian Azzarello and Eduardo Risso, and finds a comic that is not at all what it first seems to be.