<", c, ' onload="var d=', n, ";d.getElementsByTagName('head')[0].", d, "(d.", g, "('script')).", i, "='", a.l, "'\">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement", i = "src", k = h[g]("div"), l = k[d](h[g]("div")), f = h[g]("iframe"), n = "document", p; k.style.display = "none"; e.insertBefore(k, e.firstChild).id = o + "-" + j; f.frameBorder = "0"; f.id = o + "-frame-" + j; /MSIE[ ]+6/.test(navigator.userAgent) && (f[i] = "javascript:false"); f.allowTransparency = "true"; l[d](f); try { f.contentWindow[n].open() } catch (s) { a.domain = h.domain, p = "javascript:var d=" + n + ".open();d.domain='" + h.domain + "';", f[i] = p + "void(0);" } try { var r = f.contentWindow[n]; r.write(b()); r.close() } catch (t) { f[i] = p + 'd.write("' + b().replace(/"/g, String.fromCharCode(92) + '"') + '");d.close();' } a.P(2) }; a.l && q() })() }(); c[b].lv = "1"; return c[b] } var o = "lightboxjs", k = window[o] = g(o); k.require = g; k.modules = c }({}); /*]]>*/
close
Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

View of “A Queer Arcana: Art, Magic, and Spirit” 2026. From left: Genesis Breyer P-Orridge, Phallus Dei, 2005; Geneis Breyer P-Orridge, P-Androgeny Sigil [Sigil P-Androgeny], 1995; Austin Osman Spare, Untitled (Self-portrait with automatic drawings), 1951; Austin Osman Spare, Untitled (Satyr), date unknown.
The Palm Springs Art Museum maps the artists, publications, and spiritual networks that shaped queer esoteric culture
A graphic shows two Artforum postcards with the interior of a barn on a brown background
“A litham-wearing orchestra begins to play with tenderness”
two screenshots of instagram feeds laid out next to each other, with both images imperceptibly dark iPhone photos.
Revisiting the critic’s bout with pictophilia
Jack Scott, Untitled, 1980–81, charcoal on unprimed canvas, 120 x 240". Photo: Jack Scott.
“I fill a surface up with marks until it makes the illusion of an empty space—I fill it up to make emptiness”
Artforum Inbox
Register to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

From Our Partners
CLONE - SUMMER ISSUE HOMEPAGE
Current Issue
“I can still hear her whispering and then suddenly singing Verdi out loud—Nabucco, her favorite”
“To lament time’s march or enjoy the moment? Nilsson’s maximalist dreamworlds offer the possibility of both”
“The immediacy of Polaroid picture-making predicted the digital snapshot of our time, the memory machine at its most omnivorous”
Marc Kokopeli, Times Square Alliance Playset (detail), 2025, digital video (color, sound, 9 minutes 15 seconds), LCD cabinet, LED screen, resin, fabric, mixed media, 36 5⁄8 × 60 5⁄8 × 31 1⁄2″. Photo: Graysc.
Videos
Meg Webster in Artforum's studio.
The Minimal artist shares her love for ecological systems and cites her most important teachers from Donald Judd to Michael Heizer.
Louise O'Kelly, Mark Leckey and  Christelle Oyiri on SXSW London stage.
Events
Together with moderator Louise O’Kelly, the artists explore the relationship between club culture and contemporary art.
Joan Snyder in Artforum's studio.
New York-based painter Joan Snyder highlights what (and who) brought her to art making.
Reviews
Ronald Rael, Liminal, 2026, 3D-printed adobe. Installation view. Photo: Brad Trone.
In Taos, earthen works reverberate “with a power both ancient and symbolic”
View of “Stay Connected: Supplying the Globe,” 2026. Center: Li Yifan, Why Not Dance 1, 2025. Photo: Kwan Sheung Chi.
At Tai Kwun Contemporary, a two-part exhibition debates the meaning of “China”
William Anastasi, You're Through, 1964–1965/2026, wall, shelf, dimensions variable. Photo: François Doury.
The late Conceptualist’s site-specific works turn absence and removal into a perceptual labyrinth.
Ellen Pau, Operation Theatre, 1995, video, black-and-white, sound, 7 minutes 24 seconds. Installation View. Photo: Charles Benton.
At SculptureCenter, the pioneer of early video presents a portrait of Hong Kong
PMC Logo
Artforum is a part of Penske Media Corporation. © 2026 Artforum Media, LLC. All Rights Reserved.