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Mysore Palace

Mysore Palace
Panoramic view of Mysore Palace
Map
Interactive map of the Mysore Palace area
Alternative names
Amba Vilas Palace
General information
StatusMuseum
Architectural style
Indo-Saracenic
LocationSayyaji Rao Rd, Agrahara, Chamrajpura, 570001, Mysore, India
Coordinates12°18′14″N 76°39′17″E / 12.3039°N 76.6547°E / 12.3039; 76.6547
Construction started
1897
Completed1912
Renovated1932
OwnerWadiyar family and Government of Karnataka
Height
Height44 m (144 ft)
Dimensions
Other dimensions75 metres (246 ft) across x 48 metres (157 ft) deep
Technical details
Floor count3
Design and construction
ArchitectHenry Irwin
Other designersEdwin Wolleston Fritchley
Website
https://mysorepalace.gov.in

Mysore Palace, also known as Amba Vilas Palace, is a historic palace and royal residence located in Mysore, Karnataka, India. It served as the official residence of the Wadiyar dynasty and the seat of the Kingdom of Mysore, and was commissioned by Krishnaraja Wodeyar IV in August 1897 following the destruction of the previous structure in a fire. The design of the palace is attributed to Henry Irwin, a British architect who had earlier designed the Madras High Court,[1] and Edwin Wolleston Fritchley, who would later design the Lalitha Mahal.[2] Construction of the current structure began in 1897 and was completed in 1912.[3] It is the largest of the seven palaces in the city of Mysore[4] and is a prominent example of Indo-Saracenic architecture, combining Indo-Islamic, Rajput, Hoysala and Gothic architectural styles.[5][6]

The land on which the palace now stands was recorded as the site of a small fort in the late 14th century.[7] The first palace to occupy the location was built in the 17th century during the reign of Kanthirava Narasaraja I, and was destroyed and rebuilt multiple times.[8][9] Since the early 19th century, the Mysore Dasara festival has been annually held on the palace grounds,[10] culminating in an elephant procession on Vijayadashami.[11] In 1998, the Karnataka state government enacted the Mysore Palace Acquisition Act, acquiring ownership of the palace from the Wadiyar family; the act was subsequently challenged in court, and is the subject of an ongoing legal dispute.[12]

The main palace houses a public museum alongside the living quarters of Yaduveer Krishnadatta Chamaraja Wadiyar, the current ceremonial head of the Wadiyar dynasty.[13] In addition to the palace, the overall complex encompasses multiple gardens, several Hindu temples (some of which predate the current palace itself), and the old walls of the original fort.[4] As of 2024, Mysore Palace is one of the most famous tourist attractions in India, with more than four million annual visitors.[14]

Etymology

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The name Amba Vilas is of Sanskrit origin. Ambā (lit. "mother") is an epithet for the Hindu goddess Durga,[15] who according to local legend slew the demon king Mahishasura atop the nearby Chamundi Hills.[16] The word vilāsa (lit. "pleasure") refers to a residence of pleasure or luxury,[17] and was commonly used to name palaces in India during British rule.

History

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Early history

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In 1524, Chamaraja Wodeyar III, then a vassal of the Vijayanagara Empire, constructed a fort with earthen walls in the village of Puragere, the predecessor of Mysore.[18][19][20] The first recorded mention of the palace dates from 1638, when Kanthirava Narasaraja I repaired and enlarged the palace within the fort after it had suffered damage from a lightning strike.[21][22][23] During this time, Srirangapatna served as the de facto capital of the Kingdom of Mysore,[24][25] and the palace was primarily used as a residence for the maharaja when he and his retinue would visit to worship at the nearby Chamundeshwari Temple.[26]

By the time Tipu Sultan came to power as the Sultan of Mysore, the Mysore Palace and the surrounding town had fallen into a state of neglect.[27][28] In 1793, Tipu demolished the palace and parts of the outer walls of the fort, and used the stones and materials to begin construction of a new fortress to the east named Nazarabad.[29][30] Following Tipu's death at the Battle of Srirangapatna in 1799, the British installed five-year old Krishnaraja Wodeyar III on the throne and began to rebuild the palace at Mysore, a project that took four years to complete. The newly restored palace was built in a Hindu style of architecture, and was made primarily of wood.[31] Upon its completion, Mysore became the capital of the Kingdom of Mysore.[32] Krishnaraja held the first durbar (royal assembly) at the palace in 1805, during the month of Navaratri.[33] The early years of Krishnaraja's reign saw a large influx of immigrants from modern-day Tamil Nadu and Maharashtra to the city of Mysore; by 1836, it was estimated that the Mysore Palace employed approximately 6,000 soldiers, Brahmins, servants, and other workers in various roles. It was further estimated that by the time Krishnaraja died in 1868, a total of 10,000 people (roughly one out of every six residents in Mysore) worked at the palace in some capacity.[34][35]

The Old Mysore Palace before the fire, c. 1870

Following Krishnaraja's death, the coronation ceremony of five-year old Chamarajendra Wadiyar X took place on September 23rd, 1868 in a pavilion erected within the inner courtyard of the palace. The ceremony was held during the seventh day of the Dasara festival, and was attended by Lewin Bowring, the Chief Commissioner of Mysore, alongside numerous Indian and European luminaries.[36] In the following months, Bowring made several efforts to bring the palace and its administration further under British control, including reducing the number of administrative departments from 25 to twelve, seizing and destroying all the firearms within the palace, and curtailing most of the king's spending on charity and personal luxuries.[37] Bowring also appointed Bengal Army officer George Malleson as the guardian of the young maharaja. Malleson proceeded to relocate Chamarajendra from the palace to Bangalore for schooling, over the objections of the late Krishnaraja's two queens, Ramavilasa and Sitavilasa, who unsuccessfully petitioned the Viceroy of India Edward Lytton to countermand the order.[38]

After Chamarajendra's death in 1894, a marble statue of his likeness was placed at the north entrance to the palace.[39]

Destruction and reconstruction

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On February 20th, 1897, the northern portion of Mysore Palace was largely destroyed by a ruinous fire just after the wedding ceremony of Jayalakshmi Ammanni, the maharaja-kumari (eldest princess) of Chamarajendra. The conflagration killed eight people and destroyed one-fifth of the building, including the durbar hall, the palace armory, the Sanskrit library, and the music room.[40][41] Only the living quarters at the rear of the palace were left unscathed.[42] Kempananjammanni Devi, who was ruling Mysore state as regent for the thirteen-year old Krishnaraja Wodeyar IV at the time of the incident, commissioned British architects Henry Irwin and E.W. Fritchley to build a new palace, and shifted the royal family to the nearby Jaganmohan Palace until construction was complete.[43] Kempananjammani selected Irwin to build the palace after she was impressed by his Renaissance-inspired design of the Viceregal Lodge in Shimla,[44] and paid him a fee of Rs 12,000 for his role as chief architect. The total cost of the project, initially projected at Rs 25,00,000, ultimately ballooned to an estimated Rs 41,47,913 (around US$30 million adjusted to inflation).[45] In accordance with guidelines issued by the state government, the palace was primarily constructed of stone, brick and iron, with the use of inflammable materials kept to a minimum.[46]

A marble model of the new palace under construction, c. 1912

The Scottish traveler William Murdoch visited the palace in 1908 towards the final stages of construction, and described the intricate carvings of indigenous flora and fauna in marble, granite and teak as "out and away beyond anything we could almost dream of at home" in terms of technical skill. Murdoch noted that hundreds of carvers and thousands of masons were involved in the construction of the building, and that each was paid a fixed daily salary of 1s. 4d (roughly equivalent to 1 silver rupee at the time),[47] describing it as "good pay here".[48] Four years after Murdoch's visit, construction of the palace finished in 1912.[49]

During the reconstruction of the palace, the outlying areas within the original fort complex also underwent significant changes. Prior to its destruction, the old palace had been surrounded by a dense urban center, with businesses, public offices, temples, and residential streets segregated by caste[50] directly adjoining the main palace building. These buildings were cleared out of the complex and replaced with wide streets and large gardens, in an attempt to improve the appearance and cleanliness of the palace.[51] Many of the former residents relocated to and settled in the newly-built suburbs outside of the complex, which maintained the religion and caste-based stratifications enforced in the old city.[52]

The eastern portico of the palace prior to its 1932 reconstruction

The completed palace subsequently underwent a series of renovations in the early 1930s, during the reign of Krishnaraja Wadiyar IV.[53] These restoration efforts included the demolition of the old eastern-facing portico of the palace to accommodate the construction of a large open-view durbar hall facing east, and the addition of multiple square towers at the northern and southern ends of the façade.[54]

Tirumalai Krishnamacharya, popularly known as the "Father of Modern Yoga", taught yoga in the palace during the 1920s at the request of Krishnaraja Wadiyar IV. Among his pupils there were B. K. S. Iyengar and K. Pattabhi Jois, the respective founders of Iyengar Yoga and Ashtanga Yoga. Krishnamacharya's teachings at the palace were likely influenced by the Sritattvanidhi, a 19th-century work attributed to Krishnaraja Wodeyar III that illustrated a series of 112 yoga postures.[55][56] Krishnaraja's successor, Jayachamarajendra Wadiyar, did not share his uncle's interest in yoga, and the study and teaching of yoga at the palace largely waned in the 1940s.[57]

Post-independence

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On January 26th, 1950, following the Dominion of India's transition to a republic and the adoption of the Constitution of India, Jayachamarajendra Wadiyar read a proclamation in the Durbar Hall of the palace in which he formally ceded control of the Kingdom of Mysore to the newly-created Republic of India.[58] Jayachamaraja was subsequently named the first Governor of Mysore State. In 1951 and 1953, he had two temples constructed on the palace grounds, the Bhuvaneshvari Temple and Gayatri Temple.[59][60] In 1971, the title of Maharaja of Mysore was abolished after the passage of the 26th Amendment, and the two front floors of the palace became a museum open to the public.[61]

In 2017, an electrical fire caused by faulty wiring within an ATM kiosk caused damage to the east gate of the palace.[62]

On December 25, 2025, a gas cylinder filled with helium exploded on the palace grounds near the eastern gate during Christmas day celebrations, killing three people and injuring four others. The blast occurred at roughly 8:30 p.m. when a balloon salesman improperly added caustic soda to an aluminum cylinder while filling balloons, causing a chain reaction that led to the explosion.[63][64] Following the incident, the use of helium gas to fill balloons in public places was prohibited by the city of Mysore.[65]

Architecture

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"The new palace; the modern sight of southern India. It is brimming with life; it looks like a Gothic cathedral in course of construction... I believe it is intended to be the finest palace in the world, and if a great many exquisite fancies put together, will form one great conception, then certainly this expression in architecture must be a magnificent work of art."

William Gordon Burn Murdoch, From Edinburgh to India & Burmah (1908)[66]

The palace is a three-story building, roughly 75 m (245 ft) in length and 48 m (156 ft) in width,[67] chiefly constructed of red and grey-green granite.[66] The defining structure of the palace is the five-story central tower, which culminates in a gold-plated onion-shaped dome characteristic of Mughal architecture. Instead of the typical finial, the main dome supports a smaller chhatri, a feature commonly seen in Rajasthani palaces.[67] The main façade of the palace features a large central archway that forms the main entrance to the building, flanked by four smaller arches on each side supported by granite pillars.[68] At both ends of the palace are three square towers, each five stories tall and topped with a pink marble dome and finial. A prominent sculpture of Gajalakshmi (a representation of Lakshmi, the Hindu goddess of wealth) is fixed above the central arch.[69] Designed by Henry Irwin, an English architect, the palace is a classic example of Indo-Saracenic architecture, with elements from Mughal, Rajput, Hoysala and Gothic architecture styles.[67][70]

Ceiling of marriage hall

The main entrance to the palace, a wrought-iron gate named Ane Bagilu (lit. "elephant gate"),[71] leads to a large open-air courtyard, traditionally used as an exhibition ground for wrestling during Dasara.[72] Beyond the courtyard is the marriage hall, with an octagonal central pavilion, vaulted ceiling and a stained-glass dome supported by cast-iron pillars designed by the Scottish foundry Walter MacFarlane & Co. and imported from Glasgow.[73] The walls of the marriage hall feature several oil paintings, depicting various rituals and functions associated with the Mysore Dasara festival held annually on the palace grounds.[74]

The first floor of the palace is occupied by two large durbar halls, where the king would entertain important guests and conduct meetings with advisors. The public hall, known as Diwan-e-Aam, measures 47 m (155 ft) in length and 13 m (42 ft) in width, has an open view of the eastern entrance to the palace, and features several rows of ornately carved granite pillars.[75] The ceilings are decorated with frescoes depicting deities from Hindu mythology, and the walls feature artwork from Indian painter Raja Ravi Varma.[76] The inner private hall, known as Diwan-e-Khas, is similar in design to the public hall, and features carved teak doors and marble flooring decorated with intricate pietra dura inlays.[69][77]

Outside, the palace is surrounded by numerous gardens and temples.[67] The palace complex has multiple entrances: the Jaya Marthanda gate to the East, the Jayarama and Balarama gates to the North, the Varaha gate to the South, and the Brahmagiri gate to the West. [78]

Attractions

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The palace complex is home to two separate museums. The public museum, owned and operated by the Mysore Palace Board, offers tours of the first and second floors of the main palace, including the durbar and marriage halls. The private Residential Museum, owned by the Wadiyar family, offers tours of the former royal family's living quarters to the rear of the palace.[79] At the main entrance, there are bronze tigers, sculpted by British sculptor Robert William Colton, on both sides of the walkway leading up to the palace.[80]

A horse-drawn cart outside the Residential Museum

Residential Museum

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The Residential Museum is located in the rear section of the palace, which dates to the early 19th century and largely survived the 1897 fire.[81] The first floor of the museum houses a large collection of traditional paintings, children's toys, and musical instruments.[82] The second floor contains the palace armory, which displays a total of 725 weapons and military exhibits including swords, firearms, helmets and shields. Several weapons of historic importance are on display, including the swords of Kanthirava Narasaraja I, Hyder Ali and Tipu Sultan.[83]

Dolls' Pavilion

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Also known as gombe thotti (lit. "dolls' courtyard"), the Dolls' Pavilion is a gallery of traditional dolls located within the main entrance to the palace. The exhibit displays several dolls and palanquins that are featured during annual Navaratri festivities, as well as multiple sculptures of European and Indian design.[84] An idol of the Hindu goddess Chamundeshwari is displayed at the pavilion alongside the Golden Howdah, a gilded wooden howdah weighing 750 kilograms (1,650 lb) that traditionally houses the idol during Dasara festivities at the palace.[85][86]

Temples and monuments

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The Mysore Palace grounds are home to several Hindu temples, constructed between the 16th and 20th century by successive rulers of the Wadiyar dynasty. The temples exhibit a range of architectural styles, and are listed as protected monuments by the Archaeological Survey of India.[87] Unlike typical Hindu temples, which usually face east, the temples within the Mysore palace grounds are oriented towards the palace, in an arrangement historian Aya Ikegame describes as reflective of the Maharaja of Mysore's status as "the centre of a religious domain" and "the protector of his people".[88]

Entrance to the Lakshmiramana Temple

Lakshmiramana Temple

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Located in the western part of the complex near the Residential Museum, the Lakshmiramana Temple is among the oldest temples of the Mysore Palace monuments. An inscription found in the nearby Bannimantap Parade Grounds, dated to 1499 CE, records a grant made to the temple's deity by the Vijayanagara king Tuluva Narasa Nayaka.[89][90] On June 30th, 1799, the five-year old Krishnaraja Wadiyar III was coronated as the Maharaja of Mysore within the temple following the British victory at the Siege of Srirangapatna and Tipu Sultan's death.[91][92] The five-tiered gopuram at the entrance to the temple was constructed by Krishnaraja in 1851. The main deity of the temple is Nambi-Narayana, a form of Vishnu depicted holding a conch and a discus alongside his consort Lakshmi.[93][94]

Varahaswami Temple

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Located close to the southern entrance of the palace, the Varahaswami Temple is dedicated to Varaha, an avatar of the Hindu god Vishnu. The main idol of the temple was acquired by Chikka Devaraja from Srimushnam, and originally installed in a temple in Srirangapatna that was later destroyed by Tipu Sultan. In 1809, the idol was shifted to the current temple, built on the Mysore Palace grounds by Krishnacharya Purnaiah, the first dewan of Mysore.[95][96][97] The temple is notable for its intricate pillars and towers, as well as the finely-carved doorways and stucco niches at the entrances to each of the inner shrines.[98] A separate shrine within the temple compound, sometimes referred to as the Mahalakshmi Temple, houses an idol of the Hindu goddess Lakshmi.[91] The inner walls of the temples are decorated with murals depicting scenes from the Ramayana and Mahabharata.[99]

Prasannakrishna Temple

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The Prasanna Krishnaswami Temple was constructed by Krishnaraja Wodeyar III in 1829. The temple features an ornate pillared hall, with murals painted on the walls and ceiling depicting scenes from the Bhagavata Purana. The chief deity of the temple is an idol of Bala Krishna made from chlorite schist, depicted in a crawling posture holding a ball of butter.[91][100]

The ancillary shrines within the temple complex contain 39 bronze idols of various gods and goddesses from Hindu mythology, as well as images of the Vedic sage Atri and the Indian philosopher Ramanuja donated to the temple by Krishnaraja.[101] A separate shrine is dedicated to Krishnaraja himself, with idols of him and his retinue of wives.[102] From 1829 to 1845, Krishnaraja donated numerous gifts to the temple, including a silver altar, two silver maces, and various other gilded artifacts.[103] An annual celebration is held at the temple during the Krishna Janmashtami festival.[104][105]

Bhuvaneshwari Temple gopuram

Bhuvaneshwari Temple

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The Bhuvaneshwari Temple was constructed by Jayachamarajendra Wodeyar in 1951, shortly after Mysore State joined the newly-formed Republic of India. It is located in the northern part of the palace complex, near the Balarama entrance gate. A murti of the Hindu goddess Bhuvaneshvari, carved by Jayachamarajendra's guru and palace artist Shilpi Siddalinga, is the principal deity of the temple.[106][107]

One of the major artifacts within the temple is an intricate Surya Mandala, inscribed on a large plate made of copper. The plate was gifted to the temple by Jayachamarajendra from the royal collection, and plays an important role during the Hindu festival of Ratha Saptami.[108]

Gayatri Temple

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Constructed in 1953 by Jayachamarajendra Wodeyar, the Gayatri Temple is the youngest of the temples in the Mysore palace complex, and is located on the eastern side of the grounds directly adjacent to the Jaya Marthanda entrance gate. Within the inner sanctorum of the temple are three shrines with deities of the Hindu goddesses Lakshmi and Saraswati (the latter depicted in the separate forms of Savitri and Gayatri).[109]

Mysore Dasara

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During the annual Navaratri festival held in the city of Mysore, the palace complex (including the main building, entrance gates, and nearby temples) is covered in roughly 100,000 15-watt incandescent bulbs that are illuminated during each of the nine nights of Navaratri.[110] At the end of Navaratri, a traditional Vijayadashami procession, also known as 'Jamboo Savari', begins at the Balarama gate of the palace, where a dozen elephants carrying an idol of the Hindu goddess Chamundeshwari march from the palace complex to the Bannimantap Parade Grounds.[111] During the festival and procession, classical music and dance events are staged on the palace grounds.[112]

Tourism

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Visitors at the Mysore Palace entrance gate

Mysore Palace is one of the most-visited tourist attractions in India,[113] and attracts a large number of sightseers from within and outside of India.[114] Roughly four million visitors visited Mysore Palace in the 2023–24 financial year, including 112,070 visitors during the nine-day Mysore Dasara festival.[115] In November 2024, the palace museum introduced a two-tier pricing system, and began charging foreign nationals substantially higher entrance fees than Indian citizens. As of December 2025, the palace entry fee is 120 per person for Indian citizens and ₹1000 per person for foreigners.[116] Visitors are allowed entry through the Varaha gate at the south side of the palace complex.[117] The palace is open to visitors from 10:00 a.m. to 5:30 p.m. on all days of the week, excluding the final two days of Navaratri.[118]

The 2020 COVID-19 pandemic caused a significant decline in tourist traffic and revenue at the palace. Prior to the pandemic, Mysore Palace earned ₹16 crore (US$1.7 million) in annual revenue, including gate collections.[119][120] By the 2023–24 financial year, tourism at the palace had recovered to and surpassed pre-pandemic levels.[121]

Restoration

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Historians and conservation experts have raised concerns for the structural integrity of Mysore Palace and the need for additional maintenance and preservation efforts.[122] Over time, exposure to the elements has resulted in damage to the artwork and architecture within the main building and surrounding structures.[123] In addition, several photographs and paintings in the palace have been damaged due to surface contaminants, introduced by tourists making contact with the paintings.[124] The Mysore Regional Conservation Laboratory, established in 1987, has made efforts to restore damaged artwork within the palace.[125]

Close-up view of stained-glass ceiling, showing gaps in the design due to newer transparent panes

In August 2023, damage due to rainwater seepage caused multiple cracks to appear in the ceiling dome atop the marriage hall of the palace. As a temporary measure, the domes were covered with waterproof tarpaulins. Replicating the complex peacock-shaped artwork on the stained-glass dome has proved a challenge to restoration experts; previous attemps at restoration resulted in the installation of transparent glass panes, negatively affecting the original art design of the dome.[126] In September 2023, an expert committee was convened by the Mysore Palace Board to address the issue.[127]

The paintings and murals within the temples in the palace complex have also been the focus of several restoration efforts. Initial attempts at renovation caused further damage to the artwork due to the use of chemical-based paints during the restoration process. In 2022, the Regional Conservation Laboratory began restoration work on several murals within the Mahalakshmi and Varahaswami temples, which had suffered tears in the canvas, cracking, and fading due to years of exposure to humidity and dust.[128] However, restoration work stopped after a few months due to lack of funding,[129] and was not restarted until 2026 as a result of increasing concern over the dilapidated state of the temple artwork. In May 2026, the Mysore Department of Archaeology budgeted 1.2 million towards renewed efforts to restore the paintings within the two temples.[130]

On December 12th, 2025 at 11:30 a.m., a section of the roof above the southward-facing Varaha gateway collapsed, damaging a motorcycle parked nearby.[131] Cracks in the gateway's ceiling had been observed as early as 2019.[132] The incident led to renewed concerns over the structural stability of the gates and outer walls of the palace, with engineers and conservation experts emphasizing the need for urgent repairs and a "comprehensive restoration plan."[133] Restoration work on the roof began in January 2026.[134]

[edit]

The ownership of Mysore Palace has been the subject of a long-running dispute between the state government of Karnataka and the erstwhile royal family of Mysore. In 1950, the newly-formed Union Government reached an agreement with Jayachamarajendra Wadiyar, the last maharaja of Mysore and the first Governor of Mysore State, recognizing the palace and surrounding grounds as the property of the Wadiyar family.[135] Following the passage of the 26th Amendment and the abolition of the privy purse, the Wadiyar family came under financial stress, and the state government issued an executive order to take possession of a portion of the palace for maintenance and management at the request of Jayachamarajendra's son Narasimharaja Wadiyar.[136]

Narasimharaja approached the Karnataka High Court in 1988 to reclaim the portion of Mysore Palace owned by the state government.[137] On November 6th, 1997, justices G.C. Bharuka and Venkate Gopala Gowda of the High Court ruled that the entirety of the palace was to be returned to the Wadiyar family, stating that a legislative act was necessary for the taking of private property.[138] Following an unsuccessful appeal to the Supreme Court,[139] the state government passed the Mysore Palace Acquisition and Transfer Act in 1998, which enforced the acquisition and management of the palace and its assets by the state government for the purposes of preservation and "maintaining its public character".[140] The act also stipulated that a 320 million payment was to be made to the Wadiyar family as compensation.[141] Narasimharaja filed suit against the state government, and the Karnataka High Court ordered a temporary stay against the implementation of the act.[142] As of 2025, the case is pending before the Supreme Court.

Following Narasimharaja's death in 2013, his widow Pramoda Devi Wadiyar adopted Yaduveer Krishnadatta Chamaraja Wadiyar, the great-grandson of former maharaja Jayachamaraja Wadiyar, and installed him as the ceremonial head of the Wadiyar dynasty in 2015.[143] Narasimharaja's nephew Kanthraj Urs, who had previously been tabbed as a possible candidate for succession,[144] subsequently filed a lawsuit against the royal family seeking a share of the ownership of Mysore Palace and the royal estates.[145]

[edit]

Several scenes from the 1975 Kannada-language film Mayura were shot inside Mysore Palace. Since then, the Mysore Palace Board has rejected multiple petitions from filmmakers to shoot film scenes within the palace, citing preservation concerns.[146] In 2013, Indian film director Roopa Iyer received permission from the Central Government to shoot scenes for her 2013 Kannada film Chandra in the rear portion of the palace.[147] In 2014, the Mysore Palace Board rejected a request from film director K.S. Ravikumar to shoot scenes from the 2014 Tamil film Lingaa within the interior of the palace. Shooting for the film was restricted to the exterior and residential portions of the palace, with the filming of other scenes shifted to the nearby Lalitha Mahal.[148][149]

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See also

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References

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  1. Deepa Alexander (30 January 2019). "History lessons about Madras High Court". The Hindu. Retrieved 13 May 2026. Construction began in 1888 under JW Brassington and the buildings were completed in 1892 when famed architect, Henry Irwin was at the helm.
  2. Meera Iyer (11 December 2021). "Lalitha Mahal: an architectural fantasy come to life". Deccan Herald. Retrieved 13 May 2026. The building [Lalitha Mahal] was designed by Edwin Wolleston Fritchley who was already intimately familiar with Mysore, having worked with Henry Irwin in the design and construction of the Amba Vilas Palace a few years earlier.
  3. Akki 1995.
  4. 1 2 "Mysore Palace History". Mysore Palace Board. Though Mysore is often referred to as the "City of Palaces", the term Mysore Palace refers to the largest and the most opulent of all its surviving palaces located in the city center, the Amba Vilas Palace.
  5. Ishika Jain (21 May 2025). "Mysuru Dasara Festival". Travel India. Retrieved 12 May 2026. During a 15-year construction period supervised by British architect Henry Irwin (1897–1912) the palace achieved its mystic appearance through merging Islamic, Christian, and Hindu/Rajput architectural designs. The palace structure maintains similarity to Indo-Saracenic architecture while borrowing its design elements from both Mughal and Rajput architectural traditions.
  6. DHNS (2011a). "Mysore palace will complete 100 years next year". Deccan Herald. Retrieved 1 June 2026. A mix of designs has been used, from Indo-Saracenic to Hoysala influences to designs reminiscent of Greek architecture.
  7. Akki 1995, p. 16: "The fort in which the Palace at present is situated has its own history. In 1399 it was a small fort with mud walls."
  8. King, Carol (8 October 2025). "Mysore Palace". Encyclopædia Britannica (Online ed.). Chicago: Encyclopædia Britannica, Inc. ISSN 1085-9721. OCLC 33663660. Retrieved 12 May 2026. The first recorded mention of a palace on the current site was in 1638. In 1793 Tippu Sultan is said to have knocked down the palace to make way for the new city of Nazarbad, and a new wooden structure was built in 1803. This palace, however, was burned to the ground in 1897 when a fire broke out during wedding festivities.
  9. Akki 1995, p. 16: "In 1638 Raja Wodeyar strengthened the walls and rebuilt a great part of the palace which had been struck by lightning. In 1793 Tippu Sultan raised the fort to the ground and employed the materials in the erection of another fortress called Nazarabad. Again in 1800 after the death of Tippu Sultan the walls of Nazarabad were demolished and the same materials were used in rebuilding the present walls of the fort on the old foundations."
  10. Fuller 2004, p. 115: ""The Vijayanagara festival was probably the prototype of all royal Navratris in south India, and the festival begun by the Mysore king around 1650 was certainly modeled on it. In the early nineteenth century, according to Mark Wilks, it was again being kept 'with a considerable degree of splendour'. To the best of my knowledge, it has been celebrated continually since then.""
  11. "Mysuru Dasara Festival". Karnataka Department of Tourism. 10 May 2026. Retrieved 12 May 2026.
  12. Doval, Nikita (8 August 2015). "Who owns India's palaces?". LiveMint.com. India: HT Media. Retrieved 13 May 2026. In 1950, the Union government recognized Mysore Palace as the personal property of the Wadiyars. But with the introduction of the Land Ceiling Act, the government took over parts of the palace. In 1988, Srikantadatta Narasimharaja Wadiyar moved the Karnataka high court to get back the areas of the palace that the government had taken over. In 1997, the court directed the state to hand back the property and land to the family. The Karnataka government then introduced the Mysore Palace Acquisition Act in 1998, through which it intended to occupy the properties in lieu of compensation. That case has been pending before the Supreme Court since 1999.
  13. Nikam, N. Niranjan (16 February 2017). "Royal couple on Life and Times in Palace". Star of Mysore. Retrieved 19 June 2026.
  14. Shilpa, P (2025a). "Mysuru Palace sees 2nd highest footfall in a decade in 2024 with 44,788 foreigners". Deccan Herald. During the last financial year, April 2023-March 2024, there were 40,56,975 visitors including 34,604 foreigners, which were highest in the past one decade.
  15. Apte, Vaman Shivaram (1959). "अम्बा (ambā)". The Practical Sanskrit-English Dictionary. Poona: Prasad Prakashan. Retrieved 13 May 2026.
  16. "Sri Chamundeshwari Temple". ChamundeshwariTemple.in. Retrieved 13 May 2026. 'Chamundi' or 'Durga' is the fierce form of 'Shakti'. She is the slayer of demons, 'Chanda' and 'Munda', as well as 'Mahishasura', the buffalo-headed monster.
  17. Macdonell, Arthur Anthony (1929). "विलास (vilāsa)". A Practical Sanskrit Dictionary. Oxford University Press. Retrieved 13 May 2026.
  18. Akki 1995, p. 16: "There are evidences to show this fort was constructed by Bettada Chamaraja Wodeyar III in 1524."
  19. Anita Rao Kashi. "The Fort". Times of India. Retrieved 15 May 2016. Faced with the grandeur of Amba Vilas Palace, it is easy to miss the historic fort that surrounds it. The original walls were built under the Wadiyars in 1524.
  20. Rice 1876: "To Cháma Rája, surnamed Bóle or 'the bald', he gave Puragere. Here a fort was either constructed or repaired in the year 1524, to which... the name of Mahishūr (buffalo-town), now contracted into Mysore, was given."
  21. King, Carol (8 October 2025). "Mysore Palace". Encyclopedia Britannica Online. Britannica. Retrieved 12 May 2026. The first recorded mention of a palace on the current site was in 1638.
  22. Akki 1995, p. 16: "In 1638 Raja Wodeyar strengthened the walls and rebuilt a great portion of the palace after it had been struck by lightning."
  23. Aditi Shah (14 July 2020). "Mysuru Palace: Raising a Royal Residence". Live History India. Retrieved 15 May 2026. In 1638, the wooden palace was struck by lightning and rebuilt by Kanthirava Narasaraja Wadiyar I (r. 1638 – 1659 CE), who expanded the structure and added new pavilions.
  24. Ikegame 2007, p. 20.
  25. "Monuments of Srirangapatna Island Town". UNESCO World Heritage Convention. Retrieved 15 May 2016. In 1610 CE Raja Wodeyar captured the vice regal seat of Vijayanagara at Srirangapattana and started his rule as a subordinate king of the Vijayanagara kingdom... From then onwards, it continued as the capital of Mysore.
  26. Gouri Satya (2018a). "The four-century legacy of Mysore Palace". Star of Mysore. Retrieved 15 May 2026. Raja Wadiyar... moved to Srirangapatna in 1610. He and other rulers visited Mysuru for worshipping Goddess Chamundeshwari often and stayed in the Palace in Mysuru.
  27. Gouri Satya 2018a: "The Palace that existed during the period of Hyder Ali Khan and Tipu Sultan in Mysuru was smaller in structure without any architectural skill. It was being used less often, and hence cared very little."
  28. Ikegame 2007, p. 20: "This episode suggests that after the transfer of the capital to Srirangapattana in 1610, Mysore had fallen somewhat into disrepair."
  29. Akki 1995, p. 16: "In 1793 Tippu Sultan raised the fort to the ground and employed the materials in the erection of another fortress called Nazarabad."
  30. Rice 1876, p. 257.
  31. Rice 1876, p. 258: "The palace of the Maharaja, which is situated inside the fort, facing nearly due east, is built in the ultra Hindu style, and with the exception of a few paintings executed by a European painter, who was for sometime in the late Maharaja's employ, does not contain any trace of the influence which European art has exercised over most of the native courts of India"
  32. Ikegame 2007, p. 20: "When Tipu was finally defeated by British troops in 1799, the East India Company restored the ancient Hindu royal house and installed five-year-old Krishnaraja Wodeyar III as the ruler of Mysore state. They then shifted the Mysore royal house from the former capital city of Srirangapattana to Mysore."
  33. Gouri Satya 2018a: "This Palace was constructed around 1804. It even hosted a number of Europeans to attend the Durbar in 1805, when they expressed a desire to see Krishnaraja Wadiyar III sitting on the throne and conducting the Dasara ceremonies. They attended the Durbar on a day fixed exclusively for them, paid their respects to the Maharaja and received gifts and flowers from him. This day came to be known as 'European Durbar Day.'"
  34. Ikegame 2007, pp. 21–22.
  35. Ikegame 2013, p. 22.
  36. Rao 1936: "On the 22nd September Bowring came to Mysore and on the next day corresponding to the 7th day of the Dasara at 12 noon the installation ceremony took place in a specially erected pandal in the inner quadrangle of the Palace. Even though the interval for making arrangements was very short, all the leading men were assembled with a number of Europeans also."
  37. Ikegame 2013, p. 23.
  38. Ikegame 2013, pp. 57–60.
  39. Rao 1936: "Later, to perpetuate the memory of Chamaraja Wodeyar an equestrian statue by Onslow Ford was placed in the Lai Bagh at Bangalore. A marble statue was also placed subsequently before the north-gate of the fort at Mysore and a similar one in the Cubbon Park at Bangalore."
  40. Rao 1936, p. 178: "On account of the folly of a maid-servant, the marriage pandal erected in the quadrangle of the Palace caught fire and one-fifth of the old building was destroyed including the Sejje and the three storeys rising above it up to the gold pinnacles, the Sanskrit Library, the armoury, the music-room and the Balakhana."
  41. Akki 1995, p. 13: "The residential place of the Wodeyars of Mysore caught fire on 20th February 1897, just before the celebration of the marriage of the eldest Princess Jayalakshmi Ammani... the wood-work was completely destroyed, and eight people died in the incident."
  42. Gouri Satya 2018a: "A devastating fire that broke out in 1897 destroyed a major portion of the northern side, leaving only the back portion, which still exists attached to the present Palace. It is called Karikal Thotti, because of the blackstone pillars. This part of the Palace now houses the personal museum of the Wadiyar family."
  43. "Maharaja's Palace". Mysore District. Retrieved 17 February 2014.
  44. "Iconic Mysore palace celebrates centenary". The New Indian Express. Express Publications Ltd. 16 May 2012. Retrieved 29 June 2026. Impressed with the Simla Viceroy Bungalow, Kempananjamannani invited Irwin to design and supervise the construction of the Mysore Palace.
  45. "Mysore Palace". culturalindia.net. Retrieved 7 February 2021.
  46. "Mysore Palace". Higman Consulting GmbH. Retrieved 2 June 2026. The journal Indian Engineering, in its issue of October 1898, speaks of the Government's directive regarding reconstruction of the palace: "...in the reconstruction, stone, brick and iron should be the chief materials used, and that the use of wood and other combustible materials should be avoided wherever possible".
  47. Ambedkar, B. R. (1947) History of Indian Currency and Banking. Bombay: Thacker & Company Ltd., p. 250.
  48. Murdoch 1908, p. 177.
  49. DHNS (11 October 2011). "Mysore palace will complete 100 years next year". Deccan Herald.
  50. Ikegame 2007, p. 21: "...the fort had all the necessary amenities of an early modern city: residential areas, shops, artisans’ workshops, public offices, temples and even brothels. Each caste seemed to have had its own street in which to live."
  51. Ikegame 2007, p. 17: "In pre-modern times, the fort was effectively the city itself, where most of the city dwellers resided in cramped conditions. During the late nineteenth and the early twentieth centuries, however, the fort changed from a residential town into a modern garden, or empty space, where only the palace and a number of temples remained. This spatial transformation was a crucial part of the Mysore city improvement project, which attempted to beautify the capital at the same time as endeavouring to meet modern demands for sanitation and hygiene."
  52. Ikegame 2013, p. 132.
  53. "Mysore Palace Karnataka: Famous monument Valuation, Key facts, History". Housing News. 30 December 2020. Retrieved 12 July 2022.
  54. "A Tale of Four Palaces". Bangalore First. 9 March 2012. Retrieved 1 June 2026.
  55. Sjoman, Norman E. (1999) [1996]. The Yoga Tradition of the Mysore Palace (2nd ed.). Abhinav Publications. pp. 49–52. ISBN 81-7017-389-2.
  56. Cushman, Anne (July–August 1999). "New Light on Yoga". Yoga Journal: 43. ISSN 0191-0965.
  57. Desikachar, T. K. V.; Cravens, Richard H. (1998). Health, Healing & Beyond : Yoga and the living tradition of Krishnamacharya. Aperture. ISBN 0-89381-941-7.
  58. Srinivasan, K (February 1950). Order No.C.B 10632 LEGIS 244-49-3. The Mysore Gazette (Report). Mysore: Director of Information and Publicity, Government of Karnataka. Retrieved 14 May 2026.
  59. "Mysore Palace". Deputy Directors Office. Mysore Palace Board, Karnataka, India. Archived from the original on 20 December 2014. Retrieved 15 December 2014.
  60. "Silver Kavacha to adorn Goddess Bhuvaneshwari at Palace temple". Star of Mysore. Retrieved 14 May 2026.
  61. Mohammed Fayaz. "The History of Mysore Palace: The Yaduraya Wodeyar Legacy". Vocal.Media. Retrieved 18 December 2014.
  62. "Fire guts Mysuru Palace entrance". TheHindu.com. India: The Hindu. 12 May 2017. Retrieved 18 May 2026.
  63. Shilpa, P (25 December 2025). "One killed, four injured in a gas cylinder blast at Jayamarthanda gate of Mysuru Palace". Deccan Herald. Retrieved 15 June 2026.
  64. Karthik, KK (26 December 2025). "Death toll rises to three in Mysuru Palace cylinder blast". The New Indian Express. Retrieved 15 June 2026.
  65. "Use of helium gas to fill balloons prohibited in Mysuru". The Hindu. 18 February 2026. Retrieved 15 June 2026.
  66. 1 2 Murdoch 1908, p. 176.
  67. 1 2 3 4 "Mysuru Palace". mysorepalace.karnataka.gov.in. Retrieved 1 December 2023.
  68. Bellur, Anushka (2017). "Mysuru Palace: How National Identity fought Colonial Power" via Academia.edu. The Palace is perfectly symmetrical, with the main façade consisting of nine double-height arches upheld by ornamental pillars and flanked on each side by a tri-domed tower.
  69. 1 2 "Architecture of Mysore Palace". Retrieved 1 December 2023.
  70. DHNS 2011a: "A mix of designs has been used, from Indo-Saracenic to Hoysala influences to designs reminiscent of Greek architecture."
  71. Raul Gon (13 March 2021). "A tour of Mysore Palace". East Indian Traveller. Retrieved 21 May 2026.
  72. Raul Gon 2021: "On the other side was a courtyard that looked very humble, except for two bronze tigers that guarded the doorway. A spiral staircase added to the already grand arena. This is the Wrestling Courtyard, where during the heydays of the king, coveted wrestlers used to fight."
  73. R.G. Singh (5 March 2024). "Mysore Palace's opulent Peacock Pavilion". Star of Mysore. Retrieved 21 May 2026. The octagonal central marriage pavilion has a high ceiling with an ornate stained-glass dome supported by triple pillars wrought out of cast iron... Elaborately cast-iron pillars forming a part of the superstructure were specially made by Scottish Foundry Walter Macfarlane & Co.
  74. Aditi Shah 2020: "On display are 26 paintings depicting Dasara processions. They are based on actual photographs and executed between 1934 and 1945."
  75. R. Krishnakumar (28 November 2011). "In regal splendour". The Hindu. Retrieved 21 May 2026.
  76. Kashyap, S.K. Chandan (2022). "The Dynamics of Placement and Re-placement: Art-works and Mysore Amba Vilasa Palace Durbar Hall Space". Chitrolekha Journal on Art and Design. 6 (2). doi:10.21659/cjad.62.v6n204. Retrieved 21 May 2026.
  77. R. Krishnakumar 2011.
  78. S.N. Venkatnag Soberts (9 July 2017). "Royal Archers & Gateways". Star of Mysore. Retrieved 21 May 2026.
  79. "Residential Museum". mysore.ind.in. Retrieved 9 June 2026.
  80. "Old Mysuru Palace". mysorepalace.karnataka.gov.in. Retrieved 1 December 2023.
  81. S.N. Venkatnag Sobers (2017). "MUSEUMS OF MYSURU". Star of Mysore. Retrieved 9 June 2026.
  82. "Residential Museum". mysore.ind.in. Retrieved 9 June 2026.
  83. Anita Rao Kashi (8 May 2017). "Residential Museum: Things To Do In Mysore". Times of India. Retrieved 9 June 2026.
  84. Anita Rao Kashi (8 May 2017). "Dolls Pavilion: Sightseeing In Mysore". Times of India. Retrieved 9 June 2026.
  85. Shilpa, P (2 October 2025). "Mysuru Dasara: Idol of Chamundeshwari brought from Chamundi Hill to palace". Deccan Herald. The Printers Mysore. Retrieved 17 June 2026.
  86. Milton, Lawrence (31 October 2012). "There's no damage to golden howdah". Times of India. The Times Group. Retrieved 17 June 2026.
  87. "Protected Monuments in Karnataka". Archaeological Survey of India, Government of India. Indira Gandhi National Center for the Arts. Retrieved 18 December 2014.
  88. Ikegame 2007, p. 15.
  89. Shamasastry 1920, p. 3: "This temple appears to be the oldest in the city as evidenced by an inscription in Cole's garden which records a grant for the god in A.D. 1499 by order of Narasana-Nayaka, father of Krishna-Deva-Raya of Vijayanagar."
  90. "Mysore Palace". Deputy Directors Office. Mysore Palace Board, Karnataka, India. Archived from the original on 20 December 2014. Retrieved 1 June 2026.
  91. 1 2 3 "THE FORGOTTEN TEMPLES". Star of Mysore. 25 September 2010. ProQuest 754121979. Retrieved 28 June 2026.
  92. Rao Bahadur, Rajakaryaprasakta (1936). Mysore State Gazetter. Mysore State.
  93. Shamasastry 1920, p. 2: "The god in the Lakshmiramana temple is Nambi-Narayana, a form of Vishnu holding the discus and the conch to the front in the lower hands. The cell to the right contains the goddess of the temple."
  94. Gouri Satya (2018b). "Mysuru, a look at its past: The Lord and the Legends". Star of Mysore. Retrieved 1 June 2026.
  95. "Palace temple murals to undergo fresh restoration". starofmysore.com. Star of Mysore. 19 May 2026. Retrieved 15 June 2026. According to the Mysore Gazetteer, Chikka Devaraja Wadiyar procured the stone idol of Svetavarahaswamy from Srimushnam in present-day Tamil Nadu and installed it in the newly-built temple at Srirangapatna. However, after the temple was demolished by Tipu Sultan, the idol was shifted to Mysore and reinstalled in the present temple in 1809. The Gazetteer also notes that Dewan Purnaiah built the temple using materials from a Hoysala-era structure in Shivamogga district.
  96. Shamasastry 1912, p. 38: "Varahasvami had been set up at Srirangapattana by Chikkadevaraja Odeyar, but as the temple was demolished by Tippu, the image was brought to Mysore and set up again in 1809."
  97. "Shweta Varahaswamy Temple". Trawell Group. Retrieved 10 June 2026.
  98. Shamasastry 1912, p. 38.
  99. "Palace temple murals to undergo fresh restoration". starofmysore.com. Star of Mysore. 19 May 2026. Retrieved 15 June 2026. Dewan Purnaiah commissioned murals on the inner walls of the temples depicting episodes from the Ramayana and Mahabharata.
  100. "Sri Prasanna Krishnaswami Temple". ChamundeshwariTemple.in. Sri Chamundeshwari Development Authority. Retrieved 1 June 2026.
  101. Shamasastry 1920, p. 2.
  102. Shamasastry 1912, p. 38: "We have likewise here in a shrine statues and metallic figures of the king and his queens with labels, 9 in number, on the pedestals."
  103. Shamasastry 1913, p. 59.
  104. "Krishnotsava at Palace temple from Aug. 21". starofmysore.com. Star of Mysore. 19 August 2022. Retrieved 15 June 2026. As part of Krishna Janmashtami celebrations, the Religious Endowment Department has organised 'Krishnotsava' programmes at Sri Prasanna Krishna Swamy Temple in Mysore Palace (North Gate) premises from Aug. 21 to Aug. 29.
  105. Nandini Srinivasan (21 September 2023). "Beating the drums of women empowerment". starofmysore.com. Star of Mysore. Retrieved 15 June 2026. The Prasanna Krishnaswamy Temple within the Mysore Palace premises resonated with the divine, rhythmic beats of the 'Chende Mela' on Thursday (Sept. 14) evening... The ten-day-long Krishna Janmashtami festival, celebrated within the Temple premises, featured the Rathotsava, which depicted various significant events from the life of Lord Krishna, such as the 'Bakasuravadha', 'Poothani Samhara', 'Malla Yuddha' and 'Rasa Leela'.
  106. "Mysore Palace". Deputy Directors Office. Mysore Palace Board, Karnataka, India. Archived from the original on 20 December 2014. Retrieved 1 June 2026.
  107. "Silver Kavacha to adorn Goddess Bhuvaneshwari at Palace temple". Star of Mysore. Retrieved 14 May 2026. The principal deity Bhuvaneshwari was carved by the famous architect-sculptor, Shilpi Siddalingaswamy of Mysore.
  108. "Ratha Saptami celebrated in Palace temples". Star of Mysore. 1 February 2020. Retrieved 2 June 2026.
  109. Syed Ayan Mojib (19 May 2025). "Lesser-Known Temples Of Goddess Gayatri". Outlook India. Retrieved 2 June 2026.
  110. Gayathri V Raj (10 September 2025). "Mysuru Palace spruces up for Dasara; defunct bulbs replaced for illumination". DeccanHerald.com. India: Deccan Herald. Retrieved 9 June 2026.
  111. DH Web Desk (1 October 2025). "Mysuru Dasara: City of Palaces decked up for the 'D-Day'". DeccanHerald.com. India: Deccan Herald. Retrieved 9 June 2026.
  112. Ajay Krishnan (21 September 2015). "Royal affair: Mysore Dasara festival". OutlookIndia.com. India: Outlook India. Retrieved 9 June 2026.
  113. David, Stephen (9 August 2010). "Southern star: Amba Vilas Palace in Mysore is now officially billed as the most famous tourist attraction in south India". India Today. Retrieved 30 June 2026.
  114. "Tourist footfall at Mysuru palace during May highest in recent years". The Hindu. THG Publishing Private Ltd. The Hindu Bureau. 7 June 2023. Retrieved 16 June 2026. The iconic palace is one of the most-visited tourist attractions in the country...
  115. Shilpa, P (3 October 2025). "11-day Mysuru Dasara celebrations pull huge tourist inflow". Deccan Herald. The Printers (Mysore) Private Ltd. Retrieved 16 June 2026.
  116. Shilpa 2025a: "Despite the entry fee hike from Rs 100 to Rs 1000 from November 2024, the number of foreigners to Palace has improved to 44,788."
  117. "Mysore Maharaja Palace (Entry Fee, Timings, Entry Ticket Cost, Phone, Price)". Mysore Tourism. 12 December 2025. Retrieved 16 June 2026.
  118. Shilpa 2025a: "Entry of visitors to Palace was restricted between 10 am and 2 pm on September 22 (when YKC Wadiyar ascended the throne); full day on October 1 (Ayuda puja) and October 2 (Vijayadashami)."
  119. "Omicron scare hits tourist footfall in Mysuru". The Hindu. THG Publishing Private Ltd. 22 December 2021. Retrieved 16 June 2026. Before the pandemic, the palace used to attract 10,000 to 12,000 visitors during weekends and 6,000 to 7,000 tourists during the weekdays. Its annual revenue was around ₹16 crore.
  120. "Mysuru palace entry to cost more as Board revises ticket fare". The Hindu. THG Publishing Private Ltd. 25 September 2021. Retrieved 16 June 2026. Before COVID-19, the annual gate collections used to be around ₹16 crore.
  121. Shrinivasa, M (2 April 2024). "Tourists to Mysuru Palace breach 40 lakh mark for the first time". Times of India. The Times Group. Retrieved 16 June 2026.
  122. Urs, Bapu Lingaraj (31 August 2023). "Cracks mar stained glass domes of Mysore Palace". Star of Mysore. Retrieved 15 June 2026. Over the past 40 years, the peacock-shaped sculptures embellishing the domes of the Durbar Hall and Kalyana Mantapa have experienced a gradual decline. Urgent restoration is imperative to preserve their essence. -- Prof. P.V. Nanjaraje Urs, Historian
  123. DHNS (23 September 2019). "Post-rain, a portion of Mysuru Palace roof collapses". Deccan Herald. Retrieved 16 June 2026.
  124. Ashwini, Y.S. (18 July 2012). "Mysore lab takes up restoration of palace paintings". Deccan Herald. Retrieved 15 June 2026. Authorities at the Mysore Palace said the paintings had suffered damage because of the "large number of visitors" during Dasara. They said that despite taking precautions, there were instances of children or even adults touching the paintings.
  125. Jeyaraj, V (September 2000). "Current Status os Conservation in India" (PDF). Chemical Conservation and Research Laboratory. p. 8. Retrieved 15 June 2026. The Regional Conservation Laboratory, Mysore was established in 1987 to cater to the conservation needs of the southern region.
  126. Urs 2023.
  127. "Expert Committee to look into Palace stained glass damage". Star of Mysore. 17 September 2023. Retrieved 15 June 2026.
  128. Ganesh, A (17 February 2022). "Palace temple paintings, murals regain colours". Star of Mysore. Retrieved 15 June 2026.
  129. "Project to restore Palace temple paintings halted". Star of Mysore. 2022-12-05. Retrieved 15 June 2026.
  130. "Palace temple murals to undergo fresh restoration". Star of Mysore. 19 May 2026. Retrieved 15 June 2026.
  131. "Ceiling plaster of Mysuru Palace's Varaha Gate collapses due to lack of maintenance". Udayavani. Manipal Media Network Ltd. 12 December 2025. Retrieved 16 June 2026.
  132. Lakshmikantha, B.K. (4 June 2019). "Cracks on ceiling of Varaha Gate at Mysore Palace irks residents". Times of India. Retrieved 16 June 2026.
  133. "Varaha Gate roof portion collapses at Mysore Palace". Star of Mysore. 12 December 2025. Retrieved 15 June 2026.
  134. "Restoration of Mysore Palace Fort Wall begins". Star of Mysore. 31 January 2026. Retrieved 15 June 2026.
  135. R. Krishna Kumar (21 May 2016). "It's a long-standing dispute". The Hindu. Retrieved 8 June 2026.
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  137. R. Raja Chandra (16 February 2025). "A Chronology Of Vengeance". Star of Mysore. Retrieved 9 June 2026. 1988: SDNR Wadiyar moves the High Court to reclaim the portion of Mysore Palace.
  138. Stephen David (24 November 1997). "Karnataka HC orders govt to return Wodeyar palace to heirs of late maharaja of Mysore". India Today. Retrieved 9 June 2026.
  139. "State Claim On Mysore Palace Quashed". Business Standard. 22 April 1998. Retrieved 9 June 2026.
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  141. Rediff (30 November 1998). "Govt to take over Mysore palace". United News of India. Retrieved 9 June 2026. The Act provides for the payment of Rs 320 million as compensation to the legal heirs of the Mysore royal family, including its scion, Srikantadatta Narasimharaja Wodeyar.
  142. Gouri Satya (14 June 2013). "Mysore palace controversy may mar Dasara celebrations". Business Standard. Retrieved 9 June 2026.
  143. Foster, Stuart (11 June 2015). "UMass graduate crowned head of 600-year-old Indian kingdom". The Massachusetts Daily Collegian. Retrieved 3 June 2026.
  144. Kumar, Sathish (11 December 2013). "Kantharaj Urs may be new face of royalty". Deccan Herald. Retrieved 9 June 2026.
  145. Burke, Jason (27 May 2015). "Legal battle over royal house of Mysore, and one of India's great fortunes". The Guardian. Retrieved 9 June 2026.
  146. "Mysore Palace kept out of reach of producers". Times of India. The Times Group. 14 May 2014. Retrieved 22 June 2026.
  147. George, Nina C. (2 November 2012). "For a touch of royalty". Deccan Herald. The Printers Mysore. Retrieved 22 June 2026.
  148. DHNS (2 May 2014). "Palace Board denies nod to shoot Rajni flick". Deccan Herald. The Printers Mysore. Retrieved 22 June 2026.
  149. TNN (3 May 2014). "Has Rajinikanth's film unit been denied permission to shoot in Mysore Palace?". Times of India. The Times Group. Retrieved 22 June 2026.

Bibliography

[edit]
  • Akki, Basavaraj (October 1995). The Story of Mysore Palace. March of Karnataka (Report). Mysore: Director of Information and Publicity, Government of Karnataka. Retrieved 12 May 2026.
  • Rao, M. Shama (1936). Modern Mysore (PDF). Mysore: Higginbothams, South Parade. Retrieved 18 March 2026.
[edit]

12°18′14″N 76°39′16″E / 12.30389°N 76.65444°E / 12.30389; 76.65444