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Why support the Guardian

  • Military personnel work at computer workstations in an operations control centre in Mogadishu with multiple screens displaying mission information

    ‘They didn’t know or care, or wouldn’t say’: how we investigated the casualties of a covert US war

    When a large number of children were killed during a US drone strike in Somalia last year, two reporters collaborated to piece together what happened
  • Bracketology

    Inside our biggest-ever World Cup coverage – and our Bracketology game played by Zohran Mamdani

  • Guardian politics liveblogger Andrew Sparrow outside the Houses of Parliament

    Confessions of a political liveblogger: ‘I enjoy it professionally – but, as a citizen, you can think the country’s going to hell in a handcart’

  • An animation of falling books

    How our list of the 100 best novels became a page turner

  • Press freedom and misogyny

    double quotation markWe can’t talk about press freedom without talking about misogyny

    Juliette Garside
  • Feast, promo image

    Introducing the Feast app

  • How the Guardian is using GenAI

  • The Guardian’s approach to generative AI

  • The Guardian website open on a laptop

    Building deeper relationships with Guardian audiences globally

  • The Guardian Advertising Awards 2026 logo

    The Guardian Advertising Awards 2026: winners revealed

  • David Munk with grey hair and black-framed glasses wears a blue shirt against a light background

    New Guardian Australia editor appointed

  • A film plays on a screen

    Guardian Documentaries’ When the Revolution Doesn’t Come makes festival premiere at 2026 Tribeca film festival

  • 2026 World Cup collage image

    The Guardian kicks off its most ambitious sporting coverage yet for the 2026 Fifa World Cup

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